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Scholars' Abstracts, Biographies, & Websites
Beethoven Conference
27-30 March 2026, London
SUSAN COOPER
Independent Scholr| Manchester
ABSTRACT: Discussion in the Conversation Books about Performance Issues in Beethoven’s Late Works
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Although discussion of performance issues largely centres around sources such as sketches, autograph scores, contemporary music theory and indications from the composer himself, much not found elsewhere is obtainable from the Conversation Books, where comments and questions from performers, organisers and audience members offer a unique perspective on performance questions. Significant insight is gained into matters such as difficulties around obtaining parts and how this affects performance; the ideal size of orchestra, and the difference made by this; the impact of rehearsal time, and means of rendering rehearsals more efficient; qualities sought from the concert venue; the qualities desired by hearers from the performers – along with basics of tempo, expression, etc. Focus will largely be on the Ninth Symphony and the late quartets – the works most frequently discussed in the
Conversation Books. Unique insights into these works are provided by performers such as quartet leader Ignaz Schuppanzigh, second violin Karl Holz, singers Henriette Sontag and Caroline Unger; facilitators Anton Schindler and Johann van Beethoven; and by nephew Karl.
After the untimely death of Theodore Albrecht – whose excellent book on Beethoven’s Ninth Symphony touches some on of the issues mentioned – examining the later, untranslated, Conversation Books may be particularly fitting.
BIOGRAPHY
Susan Cooper, an independent scholar based in Manchester, has contributed widely to Beethoven studies, particularly cross-disciplinary work. At the International Manchester Beethoven Research Symposia she has presented numerous papers, including several touching on issues of performance. Presentations for various other conferences have included topics such as Beethoven’s teachers in Bonn, and Shakespeare’s musical imagery. Recent publications include a much-needed (and frequently consulted) English translation, with commentary, of Gottfried Fischer’s reminiscences of Beethoven’s youth; an article on the influence of Horace on Beethoven and his circle; a study of Beethoven’s faith and beliefs, and a critique of Karl Holz’s discussion of Beethoven’s attitudes to the piano. Work in progress includes a re-evaluation of Holz, and an edition and discussion of Der Sieg des Kreuzes: Carl Bernard’s libretto written for Beethoven.